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https://songmeaning.ai/songs/Drake-and-21-savage-major-distribution
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The song 'Major Distribution' by Drake & 21 Savage presents a blend of self-assured boasting and street-edged narratives, set to a backdrop of aggressive trap beats. Both artists reflect on their immense success in the music industry and their unshakeable presence in the realms of both entertainment and their respective street lives. Drake starts the track by highlighting his triumphs and the attention he garners from record labels, while 21 Savage comes in with mentions of his own achievements and continued adherence to the street code.
The opening bars, delivered with a blend of melody and menace, set the stage for the emotional journey of 'Major Distribution.' Drake's smooth harmonizing about the music industry's interest in him is promptly juxtaposed with gritty trap production. The listener is taken from the high of Drake flaunting wealth and power to the realization that success comes with its burdens—spiteful actions and attempts to escape unwanted aspects of fame.
As the song progresses, the atmosphere intensifies with declarations of big moves and major successes akin to celebrities like Bad Bunny and Harry Styles, juxtaposed with darker insinuations about street life and the violence that can accompany it. This contrast paints a picture of triumph shadowed by past struggles, injecting the listener with a feeling of uneasy victory.
Drake's interjections, urging to go 'stupid,' serve as a mantra for reckless abandon in the face of these multifaceted pressures. It's a call to enjoy the spoils despite the complications, urging listeners to let go and revel in the success and energy the artists have earned.
When 21 Savage takes over, the emotional tone shifts to a more sinister and confrontational stance. He shares candid recollections of street realities and survival tactics, conveying a narrative where vigilance and readiness for conflict are necessary. The listener feels the gravity of 21 Savage's life experiences, contrasting with the luxurious yet isolative world Drake describes.
"Harry Styles numbers, it's a robbery"
This reference to Harry Styles, who achieved massive success with his album 'Harry's House,' is Drake's way of illustrating the extreme level of success and metaphorically saying that his ascent in streaming numbers and sales are like a heist.
"SF90, this is not McLaren"
Here, 21 Savage is using car brands—SF90, a model by Ferrari, and McLaren, a different luxury car manufacturer—to assert the exclusivity and superiority of his own vehicle. It's a boast about having the best and a way to differentiate himself from others.
"Shoot his feet, got him doin' dances"
This line, although brief, paints a vivid scene of street violence where shooting at someone's feet is both a literal and metaphorical act of making them dance to the tune of menace and control.
"Stayed in Houston long as Steve Francis"
With this, 21 Savage likens his time spent in Houston to the tenure of NBA player Steve Francis with the Houston Rockets, suggesting a deep connection and significant presence in the city.
