Fetty Wap's remix of '679' featuring Kaaris blends the American rapper's melodic trap with the aggressive delivery of French artist Kaaris. The song is a braggadocious anthem celebrating wealth, desirability, and a hedonistic lifestyle. Through catchy hooks and assertive verses, both artists boast about their success, luxurious possessions, and allure to the opposite sex, encapsulating the ethos of living fast with no restraints.
The beginning of the song immediately sets a carefree and exuberant tone, with Fetty Wap casually expressing his attraction toward a woman and his desire for a fleeting romantic encounter. His sipping 'on you like some fine wine though' suggests a desire to relish the moment, albeit briefly. The energy is high, stakes are low, and the focus is on immediate gratification.
A clear transition in the emotional landscape occurs as Kaaris takes the mic, amplifying the energy with a hard-hitting French verse. The lyrics suggest a sense of untouchability and boldness that comes with fame and power. References to fast cars and wordplay involving currency signals a lifestyle where risks are embraced and wealth plays a central role in one's identity. The brashness in Kaaris' delivery contrasts with Fetty Wap's smooth flow, adding a gritty layer to the song's narrative.
The song oscillates between these two emotional poles – the easy-going allure of Fetty Wap's verses and the intense, in-your-face aggression of Kaaris' rhymes. This mix captures the multifaceted nature of success in the music industry, from the charisma that engenders mass appeal to the assertiveness that demands respect.
Toward the close of the song, the repetition of the hook by Fetty Wap reinforces the themes of lavishness and enjoyment. The phrase 'No one can control us' epitomizes the emotional climax, manifesting the artists' sense of freedom and autonomy. The ultimate takeaway is one of invincibility and the pure euphoria that marks their ascent and current stature in the urban music scene.
"17 shots, no .38"
This line, repeated by Fetty Wap, is a play on words, possibly referencing his Remy Boyz group as well as hinting at firepower and precision – attributes of success in his eyes.
"Monte dans le Nebuchadnezzar"
Kaaris invokes an image of the spaceship from 'The Matrix', symbolizing a departure from reality into another realm. It's a metaphor for their elevated status and experience.
"Je coupe, je coupe et j'attends les ients ients"
In this line, Kaaris is likely referring to the act of cutting drugs, waiting for the resulting profit ('ients ients' being a slang for money), which is a metaphor for his music and its lucrative returns.
"Je cherche une trap queen"
Here, Kaaris blends English and French, searching for a 'trap queen,' a term popularized in the hip-hop community for a woman who is loyal and beneficial to her partner's endeavors, especially in the context of street life and success.