The song 'I'M ON ONE' by Future featuring Drake serves as a rhapsody of indulgence, where both artists showcase their affluent lifestyle filled with drugs, women, and luxury watches. It unfolds over a trap beat and illustrates their disinterest in conventional responsibilities or societal expectations. The artists project an image of themselves where they are elevated above the consequences that plague others due to their wealth and status.
The journey of emotions begins with an air of nonchalance and power. Future and Drake dive into a world where the laws that govern ordinary lives seem to dissolve. Future's verse paints a picture of a life where wealth insulates from legal repercussions and sets the tone for a carefree existence. His reference to Michael Phelps implies a victorious essence to his sexual encounters, elevating what are casual indulgences to a realm of achievement.
As the song progresses, the sense of detachment grows. Drake's sultry promises of international escapades couple with a declaration of their superiority not only through money but also through their capacity to emotionally disconnect. The casual mention of 'bustdown thotiana' is indicative of treating relationships as accessories rather than connections, further reinforcing the emotional barrier they maintain.
In the context of Drake's versus, the emotional journey takes a twist from bravado to brevity. Acknowledging a hatred for 'being in my feels' indicates an aversion to vulnerability, while an apparent dislike for 'twenty dollar bills' accentuates a desire only for large sums, suggesting that financial excess is both a shield and measure. Their reference to football and soccer legends alludes to achieving goals without the messiness of emotional entanglement.
Towards the end of the song, there is a sense of fatigue that creeps in alongside the assertive self-assurance. Drake's closing lines delineate a clear boundary between him, his associates, and the rest of the world. While they are 'all about their goals,' there is an undercurrent of alienation that emerges from their continuous push for excess and detachment.
"Call me Michael Phelps for swimmin' in your bitch face"
Future compares his sexual prowess to Michael Phelps' dominance in swimming, making an audacious claim that he's the champion in this arena.
"I'm applyin' pressure in the field, John Madden"
Future aligns himself with the strategic mastery of the late football coach John Madden, drawing parallels between their ability to dominate their respective 'fields'.
"I'ma take her ass to Paris, fuck her on that Ferris wheel"
Drake speaks of a romantic encounter on the Roue de Paris, evoking images of luxury and a jet-set lifestyle.
"All my hoes rockin' Audemar, Rollie, Audemar, Patek"
Drake boasts about the extravagant watches his women wear, which are symbols of wealth and a high-class status.