Gorillaz's 'Tomorrow Comes Today' encompasses feelings of disconnection and the impact of the digital world on personal experiences. The lyrics, voiced by the animated band's lead singer 2-D, express a sense of impermanence and the conflict between capturing life through a digital lens versus living in the moment. It suggests a struggle to remain present in a reality increasingly mediated by technology.
The emotional journey within 'Tomorrow Comes Today' starts with a sense of communal presence, as 2-D sings of being with everyone yet acknowledges the absence of a camera, indicating a moment free from digital intrusion. This speaks to the yearning for genuine human connection, away from the glare of the public eye that often accompanies fame.
The song then transitions to a reflection on how deeply entwined our lives have become with digital validation ('The camera won't let me roll'). The 'verdict' may symbolize society's judgment which has grown more prevalent in the age of social media—where we are always 'on trial' under the scrutiny of a digital audience.
As the chorus interjects with 'Yeah, yeah, yeah, I'll pay / When tomorrow / Tomorrow comes today,' it evokes a procrastination of dealing with the consequences—be it the emotional cost of digital overexposure or the transactional nature of celebrity existence.
In the repeated lines about not being here too long, a somber undertone surfaces, possibly hinting at the ephemeral nature of life, celebrity, or even Gorillaz's own project longevity. These words could reflect Damon Albarn's contemplations on his own career and the fleeting attention span the public has for artists.
"The camera won't let me roll"
This expresses how our lives are restricted by the need to document experiences digitally, potentially critiquing the invasive nature of paparazzi or the pressure to share personal moments on social media.
"The verdict doesn't love our soul"
This line may suggest that the judgment we face in the digital world, whether from the public or the media, is unkind to our inner selves.
"Stereo, I want it on"
This can be seen as a desire to reconnect with music for its authentic experience, seeking solace in art amid a digital landscape.
"Don't think I'll be here too long"
Possibly a reflection on transience within the music industry or life itself, it captures the discontent and uncertainty about one's place in the world.