Laurie Anderson's song 'O Superman (For Massenet)' serves as a social commentary and pairs avant-garde music with spoken word to deliver a critique of American militarism and the illusion of security through technology. The repetitive 'ha' loop, ethereal electronic background, and a monologue-style delivery create a haunting atmosphere that emphasizes the song's themes. The song examines the relationship between individuals, technology, and power, culminating in a glimpse of a dystopian reality where humanity and emotion are overshadowed by mechanical and impersonal forces.
The song launches with an extended loop of staccato laughter - a disorienting and relentless 'ha' - setting the tone for a journey that is both eerie and introspective. Laurie Anderson's use of the repeated 'O Superman' phrase melds the iconic symbol of American heroism with a sense of irony and foreboding, suggesting that the infallible heroes of our stories may not be coming to save the day after all.
The emotional core of the song unfolds as a series of communications break down; from the ever-impersonal answering machine message - 'Hi, I'm not home right now' - to a chilling conversation that reflects an omnipresent surveillance state. As the song progresses, the listener embarks on a contemplative dive into themes of isolation and disconnection in the face of advancing technology.
Anderson ingeniously weaves poetic elements with an almost Orwellian narrative, delivering lines that reflect an individual's struggle to recognize and confront the omnipotent 'voice', representing authority or technology. The mood veers into the ominous with allusions to ‘the hand that takes’ amid mention of American planes, heightening the sense of vulnerability to forces beyond individual control.
A sense of seeking refuge from these overwhelming forces becomes palpable when the lyrics call for maternal protection - 'So hold me, Mom, in your long arms'. Yet, these arms are not comforting flesh but 'automatic,' 'electronic,' 'petrochemical,' 'military,' evoking a profound human yearning for warmth and safety in an increasingly cold and mechanized world.
"Here come the planes"
This line is reminiscent of the political climate during the late 70s and early 80s, possibly referencing the Cold War tensions, and could evoke images of military aircraft or even the Dada movement's fascination with machinery and warfare.
"Neither snow nor rain nor gloom of night"
This line borrows from the unofficial postal service motto regarding their commitment to delivering mail, yet ironically juxtaposed with the theme of the song, it may reference the relentless, perhaps indifferent, forwarding of technology and power agendas.
"'Cause when love is gone, there's always justice"
Laurie Anderson speaks to a hierarchy of societal constructs, suggesting that in the absence of emotional connection and understanding, society falls back on the structure of justice, and if that fails, raw force is used as a last resort.
"So hold me, Mom, in your long arms"
This plea for comfort becomes a stark reminder of humanity's enduring need for emotional security, even as it may be engulfed by the impersonal arms of modernity and power.