The song '24' by Maxx Owa reflects on the inner conflict and resolution experienced during the aftermath of a troubled relationship. The lyrics express the protagonist’s struggle with a partner who appears to have been deceptive and unfaithful. Despite attempts to reconcile, there is a realization that the two are not meant for each other. The recurring mention of '24' implies a sense of constant movement or a metaphorical drive, which may represent the singer’s journey through emotional turmoil and ultimately finding clarity.
The emotional journey within '24' is a poignant exploration of self-discovery amidst the turbulence of a failed relationship. Initially, there's a lingering attachment, as seen in the chorus with Maxx Owa debating whether the tumultuous relationship was something the partner was searching for. The use of '24' to describe his driving could symbolize the 24 hours of a day, suggesting that the artist is consumed by thoughts of the relationship around the clock.
In the first verse, Maxx Owa touches upon themes of betrayal and the struggle to move on. The mention of 'baptized in lies' and 'backslide' indicate a cycle of trying and failing to escape the influence of a dishonest partner. There's a sense of enlightenment when the artist recognizes they cannot wait for someone who is not forthright and loyal. This acknowledgement is the turning point where denial starts to fade, and self-respect begins to take precedence.
The second verse delves deeper into the futile attempts to salvage the love that once was, where Maxx Owa admits feelings hadn't changed during brighter times. Yet, the recognition of the partner's prioritization of fame and self-interest over the relationship creates emotional distance. There's a mix of bitterness and empowerment as Maxx Owa asserts boundaries by metaphorically stating that the ex-partner is no longer in range to be considered a main priority.
The journey concludes with a painful but necessary act of distancing oneself from toxicity. While there is a lament over what could have been, the narrative evolves into one of self-worth and prioritizing one's well-being over a deteriorated romance. The repeated chorus serves as a reminder of the residual thoughts about the partner but also underlines a resolve to move beyond being haunted by the past.
"baptized in lies"
This line metaphorically equates the immersion into falsehoods with a religious baptism, implying a deep and transformative experience of deception.
"backslide, backslide"
These words convey the struggle of reverting back to old habits or returning to a negative situation that one knows they should leave.
"Waiting for the alley-oop, I'm not shooting hoop"
Using basketball as a metaphor, the artist suggests that he is no longer engaging in attempts to make their flawed partnership work.
"back your ass up out my range, you not main"
Maxx Owa asserts his emotional independence and the looming end of the relationship by comparing the distancing process to physical space.