WORLDS A FUCK

The initial mood of 'WORLDS A FUCK' is an aggressive defiance that sets an unapologetic tone. Sematary & Ghost Mountain delve into a sphere of anarchy, nihilism, and rebellion. The repeated phrase 'Born to die, world's a fuck' dismisses the value of established order and exudes a sense of being fed up with traditional structures of society and its enforcement, epitomized by '100 million dead cops'.

Ghost Mountain's verse adds a haunting undertone, with references to eerie scenery and obscure threats. The imagery of 'Graveyard lullaby' and 'Red Room valentine' creates a vivid atmosphere of a dystopian world where morbidity and destruction are celebrated, rather than mourned.

The song suggests an emotional landscape where fear and resignation are overcome by rage and rebellion. It’s shaped by disillusionment with the status quo and a desire to dismantle the perceived injustices of the world. The artists appear to find camaraderie in this shared nihilistic view, as expressed in lines like 'Fire walk with me, brothers 'til the end'.

The outro wraps the song in a coughing fit and a pained admittance of exhaustion with the current act. This could signify a moment of vulnerability amidst the bravado, hinting at the taxing nature of maintaining such a rebellious stance. It also reflects a moment of self-awareness where the artists acknowledge the potential futility of their opposition.