The song 'Paris' by $UICIDEBOY$ delves into the gritty and raw experiences of the rappers, who confront themes of mental anguish, self-destruction, and the darkness within. The lyrics capture their tumultuous journey from obscurity and rejection to a form of deranged success, highlighting their readiness to embrace the most extreme elements of the human psyche.
The song initiates a journey into the psyche of $UICIDEBOY$, beginning in the darkness of 'the bottom' and escalating towards a chaotic blend of pride in their hard-earned status and a gruesome resoluteness for self-sabotage. $lick $loth's verse introduces us to a gritty underworld persona, who basks in the ominous gleam of gold teeth amidst chaos and violence. The imagery of dungeon-like confines and switchblades introduces a world where danger and aggression are a primal response.
As we dive deeper through $lick $loth's invocations, we sense a pride intertwined with desolation. The duo does not depict superheroes but instead present themselves as anti-heroes of their gritty narratives—rebels who find solace in the embrace of their own malevolent inclinations. The repeated allusions to self-destruction are not cries for help but show a disturbing acceptance of their internal demise.
Ruby da Cherry's verse continues to peel back layers of vulnerability, voicing a painful past of being an outcast, the 'reject'. His lyrics suggest a warped transformation from an isolated, small-town reject into a presence that insists on its monstrous evolution. There's a jarring contrast between the bleak introspection and the violent bravado, painting an emotional landscape rife with inner strife and external aggression.
In the closing lines, Ruby contemplates a final shedding of his mortal coil, an escape that seems to promise freedom yet reeks of eternal torment. The emotional journey throughout 'Paris' is not one of healing but a harrowing acceptance of their fragmented selves—shaping an identity out of the darkness they've come to inhabit.
"$uicide, night time, no, we don't fight crime, oh"
Rejecting traditional heroism, this line underscores the $UICIDEBOY$s' alignment with darker themes, establishing themselves as the antithesis of crime-fighting vigilantes.
"Yung Christ wrists sliced, couple hoes on ice, singing, 'R.I.P.'"
Referencing self-harm and morbidity, the artist's use of 'Yung Christ' could be indicative of a perceived martyrdom or a twisted sense of sacrifice within their tumultuous lives.
"Ruby the result of a reject from a small town"
This line addresses Ruby da Cherry's transformation from an outcast to a figure commanding a cult-like following, symbolizing an ascent from insignificance to infamy.
"Turned into a demon, I'm evolved now"
Ruby employs dark imagery to illustrate his personal evolution, suggesting a metamorphosis that embraces the abyss rather than recoiling from it.