The song 'Faldita Esa' by Wisin is an energetic track that invites the listener to let go and enjoy the moment. It's a dance-centric anthem with a strong reggaeton beat, aimed at creating a vibrant atmosphere within the club setting. The lyrics encourage a woman to dance freely without inhibitions, highlighted by the repeating call to 'suelta la faldita esa,' which translates to 'let that little skirt go.' The song embodies celebration, dance, and the power of letting loose.
The song by Wisin starts with a direct appeal to connection and joy. The very opening establishes a mood of anticipation, with Wisin partnering with Hyde 'El Químico' and Fino 'Como El Haze' to lay down a festive vibe, ready to engage in revelry. The pre-chorus sets the scene further, beckoning the listener to apply themselves to the experience, to indulge and celebrate because the show is about to begin.
In the chorus, the energy peaks as the invitation is extended explicitly to 'let that little skirt go' without delicacy, signaling the start of a celebration that won’t stop. This stirs a sense of unbridled freedom and the spirit of festivity that pervades a crowded dancefloor. With every '¡Au!', Wisin punctuates the atmosphere with a call and response, musically echoing the environment where such a song would thrive—surrounded by the beats, lights, and the energy of others.
As the verse progresses, Wisin paints himself as a prominent figure in his genre, and a woman catches his eye—she's emblematic of the club's excitement, the kind of person who sparks a 'riot' of dance and energy. He flirts with confidence, showing admiration while positioning himself as her equal in this game of seduction. Wisin's narrative suggests a carefree attitude, all about seizing the moment without concern for what comes after.
The moments of interaction between the artist and the imagined subject continue, with descriptions of the woman’s captivating dance moves that dazzle onlookers. Here, the song twists the common theme of desire into a playful, competitive dance off that simmers with sensuality. The subsequent lines further highlight the liberating aspects of nightlife—the reckless surrender to the rhythm, the buzz from tequila shots, and the collective revelry of those around, all participating in this shared escape into music.
"Esto es lo que querías, lo que tú pides"
Wisin is highlighting the reciprocal nature of the experience: the listener or the woman in the club is getting exactly what they’ve been asking for—a night filled with excitement and dance.
"Esto mami se hizo pa' que bailes de lunes a lunes"
The artist cleverly suggests that the allure of their music and the party atmosphere it creates is not just for the weekend but is a universal remedy, any day of the week.
"Llegó el fuerte del genero VIP"
Wisin introduces himself with swagger, suggesting he’s a significant figure in the genre—an individual whose presence elevates the club's exclusivity.
"Dame dos shots de tequila, que estoy en primera fila"
Wisin talks about the typical club scene with tequila shots to enhance the mood, also drawing a vivid picture of where he stands—front and center, ready for action.